This series follows the first experiment "Riflessi dell'Adda"; however, it no longer invests photographic shots on reflections but on more common shots.
As in the first series, these solutions have not undergone special manipulations or effects; compared to the reflections, however, they have been interpreted in the management and in the color rendering. Although different in appearance, the style of the works finds coherence in the chromatic transformation of the photographic reality which, in this way, exteriorizes a personal and somehow unitary point of view.